Zechs Marquise (US) + The Memorials (US) + support: Frk. Fryd @ TrashPop/Pir6
17/11/2012 kl 21:30
Zechs Marquise, the El Paso, TX quintet are back with their sophomore album Getting Paid, bringing an intensified swagger to the band’s multifaceted psych-prog haze for their most aggressive and versatile effort to date. «We liked that hip-hop attitude,» explains drummer Marcel Rodriguez-Lopez of the album title. «Getting your piece, taking yours.» And, Getting Paid certainly finds the band fully taking charge of their musical destiny.
Zechs Marquise toured extensively throughout the U.S., proving to be a formidable live act supporting Omar Rodriguez Lopez Group and RX Bandits as well as leading their own headlining tours. Zechs Marquise have also grown considerably in other ways. Recent addition Rikardo Rodriguez-Lopez on keyboards and trumpet joins his brothers, drummer Marcel and bassist Marfred alongside guitarists Matthew Wilkson and Marcos Smith contributing to the band’s expanded sound. Getting Paid also integrates vocals on select songs, including guest performances by vocalist/guitarist Matthew Embree (RX Bandits, The Sound Of Animals Fighting) and El Paso singer Sonny Baker.
Getting Paid will be available everywhere on LP/CD/digital on September 27th on Rodriguez Lopez Productions via Sargent House.
THE MEMORIALS (US)
MEMORIAL – Something designed to keep the memory alive….
The Memorials were spearheaded by Bay Area drumming prodigy, Thomas Pridgen, in December of 2009. After a few years performing with The Mars Volta, Thomas turned his attention to forming his own group, incorporating a range of styles as diverse as the experiences of the bands members. Instead of becoming another rock bands’ heartbeat, the focus was to collaborate with proficient musicians whom Thomas felt would fill a void he has heard in rock music throughout his life. Thomas reached out to friends and former students of the esteemed Berklee College of Music, Viveca Hawkins (vocals), and Nick Brewer (guitars), to join him in his newest endeavor. Recording with his friend’s yielded a family vibe that enabled a comfortable yet intense recording process. The groups’ assets were rounded out with the addition of a bass, organ, synthesizers, and multiple percussive elements.
The passion and intensity of the recording sessions is audible on The Memorials debut effort, as they combine a vast array of sounds atop Thomas and Nick’s compositions. Nick’s sprawling guitars and Thomas’ thick drums serve as the core of the sound, while Viveca’s voice brings it together perfectly. The end music is intelligent and calculated, exhibiting certain pop sensibilities within the scope of songs that rock out. The compositions highlight each musician’s incredible talent, while creating textured tracks that feel like vignettes of a band finding their stride.